Collection #20 begins in Upper Mustang, Nepal. It grew from things noticed along the way: striped cloth, painted timber, woven baskets, worn surfaces and the way clothing is layered and adjusted through the day. These details found their way into outerwear, shirting, knitwear and accessories. Photographed in Porto.
Across the high desert, pattern is part of everyday life. Painted borders frame windows and doorways, stripes run through aprons and woven cloth, and basketry builds rhythm from simple repeated structures. Much of what caught our attention was made to be used, with character coming through material, construction and wear.
Outerwear takes its cues from that practicality. Returning shapes have been adjusted in fit and proportion, joined by new coats, work jackets, smocks and overshirts made for layering.
The Pāṭe Bāgh, the Nepali name for the striped Bengal tiger native to the Terai, appears as both figure and pattern. Long present in Nepali and wider Himalayan art and symbolism, its striped form runs through knitwear and print as a recurring motif.
Cold mornings give way quickly to strong sun. Layers are added, removed, wrapped and rearranged as the day changes. The striped pangden apron worn by Loba women offered another study in pattern and use, its bands of colour and repeated geometry belonging to an object worn as part of daily life.
The palette comes from the landscape and built environment: mineral and washed blues, stone, chalk, juniper, earth brown, rust and burnt orange. In cloth, those colours take on different qualities. They soften across shirting, break up through flecked yarns, sharpen into woven checks and settle into dense knits and embroidery.
Knitted hats, scarves, caps and neckerchiefs bring many of these ideas into closer view. Pointed knitted hats recall forms found in Himalayan vernacular dress, while stripe, texture and repeated pattern are carried into smaller pieces intended for everyday wear.
Autumn/Winter ’26 Lookbook
Far Afield Collection #20
Autumn/Winter '26
Upper Mustang, Nepal
Collection #20 begins in Upper Mustang, Nepal. It grew from things noticed along the way: striped cloth, painted timber, woven baskets, worn surfaces and the way clothing is layered and adjusted through the day. These details found their way into outerwear, shirting, knitwear and accessories. Photographed in Porto.
Shop look Close look
Look 01
Jiva Stripe 5 Panel Cap Shop Jiva Stripe Bisset Jacket ShopShop look Close look
Look 02
Pop Over Day Shirt Shop Yara Stripe Normsk Jacket ShopAcross the high desert, pattern is part of everyday life. Painted borders frame windows and doorways, stripes run through aprons and woven cloth, and basketry builds rhythm from simple repeated structures. Much of what caught our attention was made to be used, with character coming through material, construction and wear.
Outerwear takes its cues from that practicality. Returning shapes have been adjusted in fit and proportion, joined by new coats, work jackets, smocks and overshirts made for layering.
Shop look Close look
Look 03
Bellow Car Coat Shop Contrast-Stitch Logo Cap ShopShop look Close look
Look 04
Kalo Knitted Hat Coming soon Josef Jacket Shop Clifford Polo Knit Shop Day Shirt Shop Coup Trouser ShopThe Pāṭe Bāgh, the Nepali name for the striped Bengal tiger native to the Terai, appears as both figure and pattern. Long present in Nepali and wider Himalayan art and symbolism, its striped form runs through knitwear and print as a recurring motif.
Shop look Close look
Look 05
Day Shirt ShopShop lookClose look
Look 06
Bellow Car CoatShop Carlos CapShop Pāṭe Bāgh JumperComing soonShop look Close look
Look 07
Gurans Neckerchief Shop Gurans Veloso Shirt ShopShop lookClose look
Look 08
Basket Weave BeanieComing soonBasket Weave ScarfComing soonBasket Weave Buckley CardiganComing soonBasket Weave Pinto VestComing soonCold mornings give way quickly to strong sun. Layers are added, removed, wrapped and rearranged as the day changes. The striped pangden apron worn by Loba women offered another study in pattern and use, its bands of colour and repeated geometry belonging to an object worn as part of daily life.
Shop lookClose look
Look 09
Kovak Quilted JacketShopMira BlazerShopMira TrouserShopShop look Close look
Look 10
Lok Kala Pinto Vest Coming soon Bangdel Check Two-Pocket Shirt Shop Dekk Trouser ShopShop look Close look
Look 11
Pate Bagh Neckerchief Shop Albers Flecked Rib Cardigan Coming soon Pennon Stripe Shirt Shop Mira Trouser ShopThe palette comes from the landscape and built environment: mineral and washed blues, stone, chalk, juniper, earth brown, rust and burnt orange. In cloth, those colours take on different qualities. They soften across shirting, break up through flecked yarns, sharpen into woven checks and settle into dense knits and embroidery.
Shop look Close look
Look 12
Pate Bagh Neckerchief Shop Kier Flecked Rib Polo Coming soonShop look Close look
Look 13
Ripstop Portree Smock Shop Combin Stripe Jumper Coming soon Bangdel Check Two-Pocket Shirt Shop Dekk Trouser ShopShop lookClose look
Look 14
Melton Station JacketShop Pennon Stripe Polo KnitShopShop lookClose look
Look 15
Kalo Knitted HatComing soonNepalese Sunset Buckley CardiganComing soonMustang Check Larry ShirtShopShop look Close look
Look 16
Two-Tone Bouclé Beanie Coming soon Two-Tone Bouclé Scarf Coming soon Waldo Bouclé V-Neck Coming soonKnitted hats, scarves, caps and neckerchiefs bring many of these ideas into closer view. Pointed knitted hats recall forms found in Himalayan vernacular dress, while stripe, texture and repeated pattern are carried into smaller pieces intended for everyday wear.